Notes From the Working-Class

Latest Posts in Notes From the Working-Class

Art: Fish Shop by Georges-Henri Fauvel

French Artist Georges-Henri Fauvel (1861–1930) had a penchant for painting royal dogs, especially hunting dogs. His Fish Shop is a radical departure from his usual repertoire. He was probably paid handsomely by patrons for painting their beloved hounds. What made him paint “Fish Shop” is anyone’s guess. These fish ladies were undoubtedly less valuable than dogs.


NOTES FROM THE WORKING-CLASS: Wipe Out

My neighborhood in the north end, called Down the End by the locals, trilled and thrummed with the unerring twang of guitars. Every boy on the block, talented or not, musically inclined or musically challenged, had mastered the three simple chords to play Wipe Out on the guitar with unerring frequency, regardless of the season or the time of day. From garages and basements, yards, parks and parking lots, impromptu jam sessions broke out into the ubiquitous street sound of drums humping under the sturm and drang of electric guitars. 


NOTES FROM THE WORKING-CLASS: Kids Like Us

Patricia Vaccarino writes about William “Bill” Powers who lived about thirty miles northwest of Denver in Longmont, a town famous for its craft breweries. Although Bill lived in Colorado, he never forgot his hometown Yonkers.


NOTES FROM THE WORKING-CLASS: Come September

Even though it has been many years since I've been in a classroom, when September comes, I can’t shake the feeling that I belong in school. It’s ironic that I should feel this way because I hated school.


NOTES FROM THE WORKING CLASS: The Mother of All Handbags

I was told never to place my handbag on the floor. I was told never to leave my handbag unattended. I was also told to never ever let another person touch my handbag. Disobeying any of the three cardinal rules of handbags brings poverty and is akin to having a gypsy place a curse on me. The gypsy’s curse lasts forever.